Bite-size brilliance: why short writing licks the TL;DR test

In the leisurely days of Victorian novels, long-winded, rambling stories and essays weren’t a problem – they were an advantage, as the evenings weren’t exactly crammed with exciting entertainment.

These days, with the fast-forward button readily at hand to deal with boring TV programmes, readers are more impatient. Come on! We’ve got things to do, places to go, people to see. Cut to the chase! We want the body on page 1, not half-way through the book.

This change in consumer preferences is perhaps the reason that Twitter is so popular.You’ve probably seen the letters TL;DR used on social media, to stand for ‘Too long; didn’t read.’ In the digital age, even a lengthy answer to a question can lose many readers’ interest. Even short stories are getting shorter – we’re not prepared to flounder through pages of waffle just to reach the thrilling part.

But maybe that’s a good thing.

As well as gripping readers’ attention, shorter forms of writing can be more effective. To reach the word count, less important information (a.k.a. ‘the boring bits’) must be omitted, wordy descriptions are truncated and weak phrases such as very frightened or really old are shortened to stronger versions such as terrified and ancient.

Anmarie Bowler is a local writer who says she appreciates the power of short form prose and believes everyone’s a writer at some point in life. She’s launching a new bi-monthly “literary handbill” called Brevity, which will publish short stories & essays (500 words or under) and brief poems by Isle of Wight residents – and she’s looking for contributions from you!

‘Brevity is the soul of wit,’ according to Shakespeare. Let’s see if Brevity can prove that bite-size writing has more teeth.

Our next meeting is Tuesday, 16th April – the assignment topic is True Friendship… but your writing must also include something blue!

Decadent writing: rhyme schemes and chocolate cake

Last night, at Island Writers, we were discussing rhyme schemes in poetry.

For those who aren’t familiar with these, a rhyme scheme is a pattern of rhyming sounds at the ends of the lines in a poem. For quick reference, we give each different sound a letter.

For example, an AABCCB rhyme scheme would look like this:

Little Miss Muffet                A
Sat on a tuffet                   A
Eating her curds and whey         B
There came a big spider           C
Who sat down beside 'er           C
And frightened Miss Muffet away   B

Anyway, the conversation reminded me that, last week, Jonathan challenged me to write a poem about decadence, using words that rhyme with ‘light’.

(I know, right? Other husbands bring flowers…)

Here is my decadent response:

CHOCOLATE CAKE
by Emily Gillatt-Ball

It's just a little decadence
Which fills me with delight
I don't concern myself with pence
To make each day feel bright
In my pursuit of excellence
It has become a rite
To spark my powers of eloquence
I need a touch of opulence
With dark sensations so intense
They get me through the night


It's just a little decadence
And yet it feels so right
At first I felt some diffidence
Excuses felt so trite
One can't refuse without offence
It's best to be polite
But soon I gained more confidence
Regardless of the true expense
I seemed to feel my common sense
Recede with every bite


It’s just a little decadence
Which caused my sorry plight
I always hide the evidence
And clear it out of sight
But greed demands its recompense
The way I feared it might
I can't continue this pretence
For now my bottom is immense
I know, but in my own defence
I find it helps me write!

So, what are your decadent writing practices? Feel free to respond in verse!