NaNoWriMo, National Novel Writing Month, is the annual challenge to spend November writing a novel. But it tends to leave most of its participants realising that what they’ve written is, well, part of a novel, even if they’ve reached the target of 50,000 words written in one month. Even those who complete their novels still need to edit them. Now, NaNoFinMo has been created to encourage writers to get those part-novels finished, edited and ready for publication; it stands, of course for National Novel Finishing Month.

The NaNo website only allows targets to be set in words, not in chapters, pages, or other values, so I chose an arbitrary target of 1000 words a day. Pretty achievable, you might think, considering that the original challenge was to write 2000 words a day.

By Day 8, I had realised my mistake.

Editing is not like writing the first draft. Yes, I had extra words to write to complete the book, but their quantity wasn’t important: they had to be the best words, not the most words. I needed to feel free to delete words, sentences and paragraphs – maybe even entire chapters if necessary – without worrying about reaching a pre-assigned word count. An effective day’s editing could easily result in a negative word count figure, but that’s fine, if the finished book is the better for having cleared out the trash.

During NaNoWriMo, I had found that posting daily updates on the Island Writers Facebook page helped to encourage me to put in a full day’s effort, and I enjoyed choosing appropriate pictures from Pixabay to illustrate my mood or level of achievement. So I didn’t want to give up the idea of posting my targets during NaNoFinMo (which, to match the shark’s ‘Fin’ in the title, were all water-themed).

So, taking an average of my actual word counts from the first week, I cut my official target to 500 words a day, to try to keep myself on track. However, my unwritten target was to edit one chapter every two days, thus completing my 15-chapter novel in 30 days.

Did it work? Sad to say, no.

The first thing I did wrong was not planning and preparing properly. I made a last-minute decision, and I still had some important paperwork which took up my time, but needed to be sorted out urgently.

And then, a warm, sunny April was the wrong time of year to force myself to stay shut away indoors. In the early part of the month, I was too willing to let other distractions and responsibilities take preference. After all, I had plenty of time. There were so many jobs I needed to get done in the garden, and because of the fine weather, I made the decision to prioritise them.And then, on the 12th, the lockdown restrictions were partly relaxed, so we had several medical appointments and other social commitments.

More importantly, my revised target was still a numerical daily word target – still not the right kind of target. Nor was the unofficial chapter-every-two-days target helpful, as some of the chapters were almost complete, some needed rewriting, some were hardly started and one I decided to scrap entirely, while some of the editing involved rearranging the order of what I’d written, and breaking some parts up into different chapters.

Unfortunately, by simply not worrying about whether I managed to reach the word total, I had unwittingly removed my main motivator for finishing my book: my daily ‘reward’ to myself of choosing a photo from Pixabay to present each day’s update. Far from helping it all to go swimmingly, as I’d hoped, I was floating off in the wrong direction, and rewarding myself whether I’d worked hard at my editing or not.

What I should have done, I realise now, is set a target for the amount of time spent editing. And when I say, ‘editing,’ I don’t mean checking my emails, looking at cat pictures on Facebook, reading articles in Writing Magazine, making a sandwich, putting a wash in the machine, buying stuff on Ebay, mowing the lawn, typing up the agenda from a meeting, mending my chair because it’s a bit wobbly, watering my plants, answering questions on Quora, or emptying the recycling bin. Because, apparently, none of those improved my book at all. Who knew, right?

But I’m not downhearted.

During this month, I wrote over 9000 extra words for my novel, which is a lot more than I’d normally have achieved. I’ve also managed to tweak it and pummel it into a much more effective shape – it’s getting there!

Many thanks to Katie and the other members of the Island Writers Facebook group who have left supportive comments and ‘likes’ to encourage me on my NaNoFinMo journey.

Lurking under the surface of my conscious thought, my unfinished novel from National Novel Writing Month (NaNoWriMo) last November has been making me feel thoroughly guilty. I wrote 50,000 words in one month! It was a huge effort, and yet I still have nothing to show for it.

But now, NaNoFinMo is giving me (I hope) the impetus to sort out the yarn from the spindrift and get my novel ready to self-publish. By setting myself an easy, bite-size target of just 1000 words a day, I can get my teeth into the job, and finish the editing in a snap by the end of this month.

Follow my progress on the Island Writers Facebook Group page.

Every year, as November approaches, I have the same question in my mind: shall I have a try at NaNoWriMo this year? And I’ve decided that this year, with even fewer reasons to go out, is the perfect opportunity.

National Novel Writing Month – NaNoWriMo to the initiated – takes place every November, and to ‘win,’ participants have 30 days to write 50,000 words of a novel. Planning the story and characters beforehand is allowed, but the official word count includes only what’s written during November.

With 30 days to reach the target, that’s a minimum of 1667 words a day. The hard part is deciding which words!

Impossible?

Not at all, as Island Writers member Yvie has proved – although it’s certainly not easy. She says one of her magic secrets for success was to set rewards for achieving 2000 words a day. Sounds good to me: any excuse for chocolate will do.

What I need now is a plot. Help! Thank goodness there are a couple of weeks before we start.

I’m reliably informed, by NaNoWriMo founder Chris Baty’s book, No plot? No problem! that it doesn’t have to be a well-written, polished novel, or even a completed novel. Quality, in this challenge, is not nearly as important as quantity. The idea is to write at least 50,000 words of that daunting first draft, even if it’s a bit rough and ready, or indeed dire and pathetic. Which, believe me, is guaranteed in my case! Never mind: once NaNoWriMo is over, I can worry about polishing it up to a publishable standard.

I will post my daily progress on the Island Writers Facebook page – and I’m relying on you all to encourage me, cheer me on when I do well, and most importantly, mock me cruelly on any days when my result is under 2000 words, to shame me into increasing my efforts.

As you may know, I’m incurably competitive, so if anyone would like to join me, I’d welcome the challenge. Any takers? You can sign up in advance or at the last minute, on www.nanowrimo.org.

NaNoWriMo starts at the witching hour of midnight on Halloween, and ends at midnight on November 30th, and I will produce 50,000 words this time. Whether I will produce an enchanting novel is a different question – but it’ll be fun trying!

The Moondish is the dark, imaginative, thought-provoking and enjoyable second novel by Isle of Wight writer Benjamin Roberts.

Set in the village of Bonchurch, near Ventnor, the plot takes place around the historic visit of author Charles Dickens to the Isle of Wight in 1849.

Jane Tench, a hard-up narrative therapist, has come to the Island to hide from her past. Her first client, troubled Adam Doe, is hard to fathom, producing strange stories about the Chinese opium trade and a shipwreck on the Isle of Wight coast, linked with a young Victorian woman called Rosie…

Could Adam’s narratives be more than just stories? Only the Moondish can help Jane find the truth, and the way to help Adam… even if she may not like the answer.

Roberts’ writing style is accessible, with flashes of particular beauty. The multi-layered plot is complicated and intriguing, and while the main characters are perhaps less sympathetic than they might be, that’s not necessarily a fault in this particular novel. However, in my view it could be argued that the character of Charles Dickens, well-researched though he is, ideally should play a more influential role in the final stages of the story.

Benjamin Roberts‘ first novel, The Girl I Knew, is also available on Amazon.