Missing inaction

The eagle-eyed ones among you will have spotted something missing from our last meeting, on Tuesday 21st April.

Like… umm… all of it.

I’m afraid I have been conspicuous by my absence – I had intended to try to set up Zoom meetings for Island Writers, but I haven’t worked out how to do it yet. I’ll try for next time, so please sign up for a free account on Zoom now, while you’re waiting for an invitation from me. I’m certain you all miss me so much, you’d love your screen to be filled with a large image of my face!

Something else that’s been missing from my life in the last few weeks is creative writing. I’ve been editing two books for friends, and have barely glanced at my own books for over a month.

Yesterday, I finished editing the second book and heaved a sigh of relief. Finally, I could get on with my writing.

And then a new Facebook message popped up – another friend asked me to edit their book! Well, I will, of course (because I love editing), but this month, I’m determined that I will also make time for my own work. I keep monthly stats of how much writing I’ve done, and last month’s are positively embarrassing! And, anyway, I miss writing.

So I’ve decided that our next writing topic should be Missing.

  • Who or what are you missing most, during lockdown? A person, a pet, a place, an activity, a feeling?
  • Is there something you miss for another reason, perhaps something you enjoyed as a child, which is no longer available?
  • Is your short story or poem about a missing item… or a missing person?
  • Is your character missing an appointment, or an important target?
  • Is something important missing from your (or your character’s) life?

Oh, and by the way… no pressure, but…

This assignment is the last one before the first Island Writers book is published, so if you want your writing to be in it – don’t miss this chance!

And don’t forget to sign up for Zoom, ready for our first online meeting, which I hope will be Tuesday 5th May at 7pm (to be confirmed).

Hope to see you all soon.

I miss you xx

Sticking to creative writing during the plague

Well, it looks like we won’t be seeing each other any time soon, but perhaps this enforced isolation will give us more time for creative writing. According to Chantal, Shakespeare wrote King Lear during quarantine from the plague. Whether that’s true or not, let’s stick to it and not waste the opportunity!

Feeling stuck on our current assignment title: Sticky Stuff?

Okay, so, what things are sticky?

Sellotape, duct tape and glue, of course. Superglue is famous for sticking things you didn’t intend to stick together. Wallpaper paste is particularly hard for inexperienced decorators to use correctly, which can produce comic results. Perhaps you have a memory of using one of these in childhood, or doing DIY as an adult, which could spark a story or poem.

Then there are various foodstuffs: toffee, syrup, honey, treacle, bubble gum, even candy floss, marzipan or glace cherries, although many other foods can leave sticky fingers which could cause a problem as a basis for your story.

Looking at the natural world for inspiration, there are spider-webs, geckos’ feet, goosegrass, Venus flytraps, and various animals which cling to things, as limpets do, for example. One of these could be a good metaphor for a poem about human relationships.

Or perhaps you would prefer something awkward and hard to handle, metaphorically sticky – a sticky situation. Remember, your story or poem doesn’t have to be about sticky stuff – it only needs to include something sticky, or someone sticking something. If a character sticks a stamp on the crucial letter, or licks their sticky fingers after spreading marmalade on their morning toast, they can get on with whatever’s happening in the story without needing to work in a glue factory or be an amateur beekeeper.

I hope you’ll all give this assignment a try, and don’t assume there won’t be that dreaded moment when I ask, “What writing have you done in the last two weeks?” because I WILL be asking you on Facebook on 7 April, anyway – and it’s no good claiming you were away on holiday!

Stick with your writing – Island Writers will be back as soon as we can.

Better late than never: Island Writers meeting notes

I’m sorry this ‘meeting’ is late. Having to put Island Writers on hold suddenly was a shock, but it had to be done then, before it was too late. I’m investigating online meetings, but I was too late to sort anything out for Tuesday night.

Are you sensing a theme here? Yup – this week, it’s Lateness.

Waiting, Appointment, Schedule, Time, Hurry, Urgent

What effects can lateness have?

Missing a chance, losing a job, spoiling an event or activity for other people, breaking up with a friend or partner, being unable to prevent something bad happening… could arriving late ever cause a positive effect?

How do we feel when we think we’re going to be late?

Emotionally – irritated, angry, worried, nervous, terrified – or relieved?

Physically – heart pounding, sweating, tightness in throat or chest, panting or gasping for breath, feeling sick…

How do we behave differently when we’re worried we’ll be late?

Decide to skip part of our normal routine e.g. buying a newspaper on the way to work, move more quickly, do things carelessly and have accidents, treat people rudely, forget items we’d intended to take…

So, what causes lateness?

Lack of consideration for others. We keep people waiting after an agreed meeting time (oops!) because we put our own preferences and convenience ahead of theirs, and see no reason why we shouldn’t.

Disorganisation. We intend to arrive somewhere or complete an activity by a certain cut-off point, but ‘somehow’ we don’t manage to achieve it – because we don’t organise and plan adequately. There’s an element of inconsiderateness here, too, but not always – being too late to catch a train does not inconvenience the other passengers, only you, as you arrive panting on the platform to see the train disappearing round the bend.

Unwillingness. Sometimes the conflict between duty and personal wish causes lateness. We know we’ve got to do it, but we can’t bring ourselves to get started – we delay for just one more thing… and another. Have you seen those t-shirts that say, ‘I’m sorry I’m late. I didn’t want to come.’?

Luck. We make perfectly adequate plans, but on this occasion, the universe decides to thwart our wishes. We allow plenty of time for the task, but an emergency crops up. We catch the bus on time, but there’s a delay on the journey.

3-MINUTE EXERCISE: Make a list of words and phrases connected with lateness.

Running late, get the sack, better late than never, see you later, overslept…

15-MINUTE EXERCISE: Write a piece (short story/poem/playscript/memoir/whatever) which includes someone who is desperate not to arrive late.

Looking forward to seeing what you all come up with… or have I left it too late?

Oh, I suppose you’d all like an Assignment as well…

ASSIGNMENT TITLE: Sticky Stuff

PLEASE NOTE: ISLAND WRITERS IS ON HOLD

I am sorry to say we will not be meeting again until we can establish the extent of the Coronavirus issue.

There will be NO MEETINGS UNTIL JULY 2020, when we will assess the situation.

We are NOT closing down permanently, but in view of Jonathan’s fragile state of health and underlying medical conditions, our family has decided to go into ‘semi-isolation’ to protect him before it is too late – we will not be having visitors and only be going out for essential purchases and medical treatment.

I will continue to set assignments on the blog – please keep in touch via phone, email and on the Island Writers Facebook group.

WE WILL BE BACK!

Child, Girl, Teddy Bear, Fantasy, Dark, Gothic

Regrettable decisions: the writing topic only a mother could love

Sign, Sorry, Character, Figure, Silhouette, Text

Ever wished you hadn’t chosen a certain writing topic? Sometimes, you have a bright idea, and you start writing, full of hope, and then suddenly… you realise it’s just not gonna work: the premise is fundamentally flawed. Much to your regret, no matter what you do, your story or poem is doomed.

Then again, you might have a topic – like ‘Regrets’ – thrust upon you by the evil leader of your writers’ group, and get home and think, ‘What on earth was she thinking? How are we meant to write anything about THAT?’

We all have regrets in life. And, of course, an easy response to the topic would be a memoir of a time when you did, or didn’t, do something, then regretted the decision later. The advantage of a memoir is that you already know the characters and the plotline, so you can concentrate on powerful use of language to tell your story in the most effective way.

The main trouble with this idea is: regret is painful. And maybe you don’t want to write a sad piece, revealing to the world how you did something unkind or foolish. But you don’t have to. You could write about a risk you took which you don’t regret because it paid off in the end.

Or your ‘memoir’ could be pure fiction, recalling your regrets about the time you won a million and spent the lot in six crazy months, or how you regret turning down the opportunity to go on the first manned mission to Jupiter.

If you prefer to write short stories or play-scripts, your character could regret something. Try one of these opening lines:

I’ll always regret opening the last box…

Marion had always felt she was too sensible to waste time on regrets.

‘If you walk out of that door, you’ll regret it, Simon. I mean it!’

The letter began, ‘I regret to inform you…’

There was only one reason to regret Mr Crawley’s death…

Alternatively, you could try a rewrite of a well-known story, where the character doesn’t take the action which led to a happy ending in the original version. Perhaps Cinderella keeps a good eye on the clock and leaves the ball sensibly at half past eleven. Or Elizabeth Bennet decides reluctantly to marry Mr Collins, her odious clergyman cousin, so when she falls in love with Mr Darcy, it’s too late.

But if your floor is covered with crumpled papers and you’re getting nowhere, don’t despair. Try writing a list of ‘20 reasons why I regret…‘ something – as long as it’s not ‘…joining a writers’ group!’

Or simply choose another topic and write about that instead. We’re quite happy if you turn up with a piece of Star Wars fan-fiction, a strange ranting piece about your neighbour’s dustbins or a poem about your old teddy bear. As long as it’s new writing, not some old piece you dusted off and added ‘regret’ in the middle to fit the topic. That’s not the idea at all.

And if you really feel you can’t write anything this time? Come to the meeting anyway – or you may regret it.

Next meeting: Tuesday 17 March, 7pm-9pm, Ryde Library.

An over-arching concept: power, portal or protection

Island Writers’ creative writing topic this time is ARCHWAY.

The engineering advantage of the arch is its ability to provide supporting strength without solidity, which is why the arch is used for railway bridges and viaducts, as well as buildings with heavy roofs, such as cathedrals and temples. Any of these could be the setting for your short story, or the topic of a poem or piece of descriptive writing.

St Louis, St Louis Arch, Illinois
Gateway Arch, St Louis, Missouri

An incidental advantage is that by the rules of its construction, the arch has an elegant symmetry and proportions which naturally please the eye. This intrinsic beauty has led to arches being used as statement pieces in both classic and ultra-modern monuments. Which famous arches have you visited on your travels? Or maybe your characters are building a monumental arch – what are they celebrating?

Arc de Triomphe, Paris

As arches are frequently used over gateways or required to span the width of doorways on important public buildings such as colleges, churches and law courts, passing through an arch has come to symbolise passing from one state to another, which is why bridal flower arches are popular at weddings. Your archway could be a portal from the everyday modern world to a different, magical place, or your character’s change of state could be symbolised by the arch – from safety to danger, from childhood to adult life, from pride to disgrace, or from imprisonment to freedom.

From a writer’s perspective, perhaps the most interesting part of an archway is not the arch itself, but the space underneath.

Another aspect of the arch is the protection it can offer, due to the shelter or darkness underneath. Perhaps your character needs to shelter there from rain, hail or snow. and finds an unusual person or an animal hiding there, or a mysterious item secreted in the shadows of the arch.

So, if it’s not a personal question, (she said, archly) what’s under your arch?

It tolls for thee: using ‘Bells’ as a writing prompt

If our latest creative writing assignment, ‘Bells,’ has had you staggering around like poor Quasimodo, crying out, “The bells! The bells!” then here are some suggestions to help you.

Church bells offer a range of ‘ap-pealing’ story ideas, whether they’re ringing for a Sunday service, New Year, a wedding or funeral, being used as an alarm for an invasion or a flood, or just rung for practice.

As we’re members of Island Writers, the bell in John Donne’s prose work, Devotions Upon Emergent Occasions (why are poets so crap at choosing titles?) may have come to mind:

“No man is an island, entire of itself… any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.”

The tolling church bell, signifying a death, could vary; in some parts of England, the bell would be tolled nine times for a man, six times for a woman, and three for a child, so people could tell which type of person had died.

Of course, they needn’t be church bells.

There are school bells and ship’s bells, marking the time through the day;

doorbells, alarm clock bells, bicycle bells and fire-bells, rung for attention;

bells worn by animals, such as cowbells in Alpine pastures, tiny bells on a cat’s collar or jingle bells on Santa’s reindeer;

or even bluebells or diving bells, which aren’t rung at all.

So, why are your bells ringing? Who’s ringing them? What would happen if they weren’t rung or didn’t work? Perhaps it is their absence in a foreign land which will stir you to create a poem or story.

Whatever you decide, ‘brrring’ it with you to our next meeting, which, as I’ve already ‘tolled’ you, is February 18th.

Rounded individuals: using ‘Family Circle’ as a writing prompt

I don’t often get inspired to write by packets of biscuits.

OK, OK, those who know me (and you all do) will be aware that that statement is (ahem) a big fat lie. If it weren’t for large supplies of sugar-laden foods, I probably wouldn’t stay at my writing-desk nearly as long. Let me rephrase. Ordinarily, I come to the group with a planned assignment topic. This time, I forgot, so I glanced down at our refreshment biccies and chose, “Family Circle.”

So, how could you use this subject for creative writing?

Well, firstly, you could take it at face value: a story or poem about a pack of Family Circle biscuits. Maybe they’re given as a gift, which causes a problem for some reason, perhaps they could be part of a poisoning mystery, or maybe the stress of choosing is simply too much for your character.

You could use the most common meaning of the phrase, and write about a ‘family circle’ in the sense of a group of family members. How does being part of a family give you or your character particular pleasure or annoyance? Is there one personality trait or an unusual physical characteristic which all the members of the circle share? Who is excluded from the group – and why?

Or you could focus on the word ‘circle’ in a family context – perhaps the circle in question is Grandma’s wedding ring, or a circle of dancing family members at a celebration, or a circular photograph. Your ‘circle’ might be a dartboard, a flower-bed, a car tyre, a running track, or a circular saw. Or your story might include someone drawing a circle – in the sand, as a tattoo, on a blackboard, or in a letter.

Alternatively, you might have a more abstract family circle in mind: death and rebirth, the circle of life; arguments or discussions going around in circles; the astrological calendar; or karma returning retribution for past sins.

Your piece could be a short story, memoir, poem, letter, blog post, playscript or stream-of-consciousness notes on the topic. Or you could reject the topic completely and decide to write a random story about a planet where porcupine quills are the local currency, or a poem about different types of cheese. Or simply make some active progress on the novel you’re already writing. We’re not fussy!

Whatever you decide, as long as you get ’round’ to doing some new writing, it’s all good.

Our next meeting is Tuesday 21st January, 7 – 9.30pm, Ryde Library.

Dark Side of the Moon: The Moondish by Benjamin Roberts

The Moondish is the dark, imaginative, thought-provoking and enjoyable second novel by Isle of Wight writer Benjamin Roberts.

Set in the village of Bonchurch, near Ventnor, the plot takes place around the historic visit of author Charles Dickens to the Isle of Wight in 1849.

Jane Tench, a hard-up narrative therapist, has come to the Island to hide from her past. Her first client, troubled Adam Doe, is hard to fathom, producing strange stories about the Chinese opium trade and a shipwreck on the Isle of Wight coast, linked with a young Victorian woman called Rosie…

Could Adam’s narratives be more than just stories? Only the Moondish can help Jane find the truth, and the way to help Adam… even if she may not like the answer.

Roberts’ writing style is accessible, with flashes of particular beauty. The multi-layered plot is complicated and intriguing, and while the main characters are perhaps less sympathetic than they might be, that’s not necessarily a fault in this particular novel. However, in my view it could be argued that the character of Charles Dickens, well-researched though he is, ideally should play a more influential role in the final stages of the story.

Benjamin Roberts‘ first novel, The Girl I Knew, is also available on Amazon.

All at sea

So, we are marooned here – on our sunny little island, floating like an emerald on a sparkling sea. The Isle of Wight has become our creative writing topic for the next fourteen days, and each of us needs to produce a contribution for our first book.

But what to write?

The Island has nine towns: Ryde, Brading, Newport, Cowes, East Cowes, Yarmouth, Ventnor, Sandown and Shanklin. Then there are villages, such as Freshwater, Newchurch, Arreton, Shalfleet, St Helens or Bembridge. Any of these could be the setting for a short story – preferably one which could happen nowhere else – or the inspiration for a poem. Or why not write a short non-fiction piece about the history of your chosen place?

Childhood memories…

Then there are the many tourist attractions to be found here, which could be the source of a piece of humorous writing set in the modern day, or a nostalgic childhood memoir: Blackgang Chine, Robin Hill, Monkey Haven, the Steam Railway, the model village at Godshill or the alpaca farm in West Wight.

The Island is stuffed with historical landmarks which may stir you to create some great writing. As well as some wonderful old churches and charming manor houses, we have intriguing historic places such as Osborne House, St Catherine’s Lighthouse, Carisbrooke Castle, Brading Roman Villa, Quarr Abbey, Fort Victoria, Appley Tower or the Pepperpot – oops! I mean, St Catherine’s Oratory. If you haven’t been anywhere lately, why not plan a visit in the next couple of weeks? Seeing the place in winter could give a new perspective to your creative writing. Think about what these buildings meant to the people who built them and lived there in the past, or their significance to the Islanders and tourists who visit today. Perhaps focusing on one particular part of the building, such as a beautiful window, elegant fireplace or time-battered turret, will catch your imagination and spark a story.

Who says we don’t have camels on the Isle of Wight, Yvie?

Of course, we have many Island events which could give you a setting for your plot – the Garlic Festival, Sandown Carnival, Wolverton Manor Garden Fair, Mardi Gras, the Round the Island Race, the Island Highland Gathering or Walk the Wight.

With parts of the Island designated as Areas of Outstanding Natural Beauty, enjoyment of the natural world could be the theme of your piece. One of those hidden beaches the grockles never find, country walks at Bonchurch or Whippingham, the Lavender Farm, fossil-hunting trips in West Wight, riding the chair-lift at Alum Bay, sailing at Cowes or bird-watching at the nature reserve – it’s all good, as long as it’s specifically happening here. Or maybe you could create a poem about the Island at night, with ferries sliding silently over the Solent like vast, illuminated wedding-cakes, and the lights of Portsmouth glittering across the water, so close, yet far away.

And of course, you may have something to say about the Isle of Wight as a whole, or the experience of living on an island – a contrast with mainland life, the ferry journey (don’t forget to set your watch back to 1975), Island dialect, or a feeling of detachment from everyday life, family and friends on the mainland. Whatever you choose, you should find our multi-faceted isle a rich source of ideas.

The next Island Writers meeting is 3 December at Ryde Library – so get writing!